| |
قصة الكتاب :
In 1619 his chief literary work, Istoria del Concilio Tridentino (History of the Council of Trent), was printed at London, published under the name of Pietro Soave Polano, an anagram of Paolo Sarpi Veneto. The editor, Marco Antonio de Dominis, did some work on polishing the text. He has been accused of falsifying it, but a comparison with a manuscript corrected by Sarpi himself shows that the alterations are unimportant. Translations into other languages followed: there were the English translation by Nathaniel Brent and a Latin edition in 1620 made partly by Adam Newton, and French and German editions. Its emphasis was on the role of the Papal Curia, and its slant on the Curia hostile. This was unofficial history, rather than a commission, and treated ecclesiastical history as politics. Sarpi in Mantua had known Camillo Olivo, secretary to Cardinal Ercole Gonzaga. His attitude, \"bitterly realistic\" for John Hale, was coupled with a criticism that the Tridentine settlement was not conciliatory but designed for further conflict. Denys Hay calls it \"a kind of Anglican picture of the debates and decisions\", and Sarpi was much read by Protestants; John Milton called him the \"great unmasker\". Sarpi\'s work attained such fame that the Vatican opened its archives to Cardinal Francesco Sforza Pallavicino, whom it commissioned to write a three volume rebuttal, entitled the Istoria del Concilio di Trento, scritta dal P. Sforza Pallavicino, della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano (\"The History of the Council of Trent written by P. Sforza Pallavicino, of the Company of Jesus, in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony\", 1656–1657). The great nineteenth century historian Leopold von Ranke (History of the Popes), examined both Sarpi and Pallavicino\'s treatments of manuscript materials and judged them both as falling short of his own strict standards of objectivity, but he rated the quality of Sarpi\'s work very highly, nevertheless, considering him superior to Guicciardini. Sarpi never acknowledged his authorship, and baffled all the efforts of Louis II de Bourbon, Prince de Condé to extract the secret from him. Hubert Jedin\'s multi-volume history of the Council of Trent (1961), also Vatican authorized, likewise faults Sarpi\'s use of sources. David Wootton believes, however, that there is evidence Sarpi may have used original documents that have not survived and he calls Sarpi\'s treatment of Council quite careful despite its partisan framing.
|
|